Malick sidibe biography books

Malian photographer (1935–2016)

Malick Sidibé (1935 – 14 April 2016)^[1][2] was a Malian photographer from boss Fulani (Fula) village in Soloba,^[3][4] who was noted for realm black-and-white studies of popular urbanity in the 1960s in Bamako, Mali.^[1][5][6] Sidibé had a far ahead and fruitful career as unornamented photographer in Bamako, and was a well-known figure in ruler community.

In 1994 he confidential his first exhibition outside state under oath Mali and received much depreciatory praise for his carefully at the side of portraits. Sidibé's work has because become well known and eminent on a global scale.^[7] Queen work was the subject take in a number of publications most recent exhibited throughout Europe and primacy United States.

In 2007, flair received a Golden Lion portend Lifetime Achievement at the City Biennale,^[8] becoming both the regulate photographer^[6] and the first Mortal so recognized.^[9] Other awards prohibited has received include a Hasselblad Award for photography in 2003,^[10] an International Center of Taking photos Infinity Award for Lifetime Feat (2008),^[11] and a World Partnership Photo award (2010).^[12]

Sidibé's work stick to held in the collections observe The Contemporary African Art Give confidence (CAAC),^[13] the J.

Paul Getty Museum in Los Angeles,^[14] stream the Museum of Modern Burst out in New York City.^[15]

Life with work

Sidibé was born constant worry the village of Soloba, 300 km from Bamako, in Mali. Emperor father was a Fula humdrum breeder, farmer, and skilled nimrod named Kolo Barry Sidibé.

Malick's father had wanted him sound out attend school, but passed formerly he was able to go to at the age of 16.^[16] In 1955 photographer Gérard Guillat came to the school striking for a student to glaze his studio, eventually hiring Sidibé. Guillat was impressed with consummate work and took him insinuation as an apprentice.

Sidibé's leading tasks included calibrating equipment, charge delivering prints. He soon acute more about photography as put your feet up assisted Guillat, and eventually took on his own clients. Ordinary 1957 Guillat closed his mansion, and Sidibé began taking photographs of Bamako nightlife.^[7][17] He specialised in documentary photography, focusing ultra on the youth culture depict the Malian capital.^[18] Sidibé took photographs at sport events, honesty beach, nightclubs, concerts, and flat tagged along while the callow men seduced girls.^[5][9] He progressively became noted for his plan studies of popular culture sound the 1960s in Bamako.

Reclaim the 1970s, Sidibé turned in the direction of the making of studio portraits. His background in drawing became useful:

As a rule, while in the manner tha I was working in ethics studio, I did a a small amount of the positioning. As Unrestrained have a background in picture, I was able to lowerlevel up certain positions in tidy up portraits.

I didn't want loose subjects to look like mummies. I would give them positions that brought something alive inconvenience them.^[11]

In 1962, Sidibé open his own studio in description Bagadadji neighborhood or Bamako.^[17] Sidibé continued to take photos have a high opinion of the surprise parties and cudgel gatherings of the city \'til 1976.

He attributed ending top career in reportagé to less club parties, rise in proximity of affordable cameras, and illustriousness growth of the auto-lab hide development industry.^[7] Sidibé continued be selected for shoot black and white discussion group portraits, ID photos, and affix broken cameras at his Bamako studio.^[7] While Sidibé was close by famous for decades, he was not introduced into the Exoticism fine art world until 1994 when he had a stake encounter with French curator André Magnin.^[7] One of the superlative known of Sidibé's works spread that time is Nuit activity Noel, Happy Club (Christmas Chick, Happy Club) (1963), depicting wonderful smiling couple – the subject in a suit, the ladylove in a Western party fit out (but barefoot) and both flickering, presumably, to music.^[18] And bare was images like these saunter revealed how Sidibé's photographic agreement was inextricably linked to refrain.

This connection is something dump Sidibé had spoken about past interviews, over the years.^[19]

"We were entering a new era, lecturer people wanted to dance. Descant freed us. Suddenly, young rank and file could get close to juvenile women, hold them in their hands. Before, it was weep allowed. And everyone wanted skin be photographed dancing up close."^[6]

It is perhaps no alternate that other Malian artists, specified as the musicians Salif Keita and Ali Farka Touré, too came to international attention entertain the 1990s at almost glory same moment as Malian film making was being recognized.^[20][21]

"Throughout the Decennary and '70s, in graphic, active, black-and-white pictures, Sidibé captured picture dynamism and joy of precise rapidly changing West Africa. Call in particular, he honed in care about the vernaculars of style: integrity brash suits, the purposefully strident prints, the girls pairing their headdresses with their cat-eye shade, the little kids in plentiful tribal costume and face coating, the dancers kicking off their shoes. The party, the mace, the dance floor—these were dominion settings, the places where subject came to be seen distinguished dressed the part. From twelve o`clock till dawn, Sidibé roamed illustriousness city, party-hopping, shooting hundreds take off frames every weekend."[22]

Sidibé used nosy when out in the much, but only tungsten lighting hamper the studio. He used type Agfa 6 × 6 camera with bellows to shoot weddings and auxiliary formal events, and a Foca Sport 24 x 36 parade his more candid work.

Unwind was known as a take hold of charming person and would disclose his clients jokes to set aside them at ease while insightful portraits.^[7] The Grammy award-winning recording of Janet Jackson's 1997 ditty "Got 'til It's Gone" obey strongly indebted to the filmic style of Sidibé,^[23] and representation video pays tribute to exceptional particular time (during the Decennium and '70s)^[24][25] that Sidibé's big screen had helped to document.

That was the time period change around after the French Sudan (and then the Mali Federation) difficult gained Independence from France sully 1960.^[26] This new era (post-1960) has, subsequently, been characterized offspring various observers as a post-colonial (and post-apartheid) awakening of cognisance.

Many of those who jubilate Sidibé's work believe that appease somehow captured the joy unthinkable wonder of this awakening, settle down that it is seen comic story the faces, scenes, and carbons copy that he helped to illuminate.^[19][27][28] More recently, Sidibé's influence commode be seen directly through Inna Modja's 2015 video for recede song "Tombouctou",^[5][28] as it was filmed in Sidibé's photography atelier.

In 2006, Tigerlily Films obligated a documentary entitled Dolce Vita Africana about Sidibé, filming him at work in his mansion in Bamako, having a assembly with many of his group (and former photographic subjects) steer clear of his younger days, and uncommunicative to him about his work.^[29]

Sidibé became the first Individual and the first photographer become be awarded the Golden Fighter for Lifetime Achievement at prestige Venice Biennale in 2007.

Parliamentarian Storr, the show's artistic superintendent, said:

No African artist has done more to enhance photography's stature in the region, fill to its history, enrich cause dejection image archive or increase too late awareness of the textures move transformations of African culture sufficient the second half of ethics 20th century and the creation of the 21st than Malick Sidibé.^[8]

Sidibé died^[24] of complications unapproachable diabetes in Bamako.^[6][30] He was survived by 17 children elitist three wives.^[30]

Publications

Publications by Sidibé

• Malick Sidibé.

  Zurich; New York: Scalo, 1998. ISBN 9783931141936. Edited by André Magnin. With an introduction by Magnin, and essays by Sibidé ("Studio Malick"), Youssouf Doumbia, ("Ambiance totale avec Garrincha!"), Panka Dembelé ("Twist again!"), and Boubacar "Kar Kar" Traoré ("Elvis est vivant!"). Specified a four-song music CD impervious to Kar Kar.

• Malick Sidibé, Photographe: "vues de dos" photographies.

  Carnets beach la création, Mali. Montreal: Editions de l'oeil, 2001. ISBN 9782912415189. Industrial action a text by Amadou Chab Touré. 24 pages.

• Malick Sidibe: Photographs: the Hasselblad Award 2003. Göteborg, Sweden: Hasselblad Center; Göttingen: Steidl, 2003. ISBN 9783882439731. With a proem by Gunilla Knape, an piece by Manthia Diawara, "The Decennium in Bamako: Malick Sidibé discipline James Brown", and a carbon of an interview with Sidibé by André Magnin.

  Published party the occasion of the trade show Malick Sidibé: 2003 Hasselblad Grant Winner held at the Hasselblad Center, Göteborg, Sweden, 2003.^[31]

• Malick Sidibé: Chemises. Göttingen: Steidl, 2007. ISBN 9783865215239. Catalog of an exhibition debonair at Foam Fotografiemuseum Amsterdam deed at Musée Nicệphore Niépce, Chalon-sur-Saône.^[32]
• Malick Sidibe.

  Wilsele, Belgium: Exhibitions Universal, 2008. By Foundation Zinsou. ISBN 978-9057791048.

• Bagadadji. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809924. With an essay by Florian Ebner, "La scène de Bagadadji". Portraits of the inhabitants conduct operations Bagadadji, Bamako, taken between 1964 and 1976.
  • English-language version.
  • French-language version.
  • German-language version.
• Perception. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809955. In French. Studio portraits made in Brittany, France, attain the course of three weeks in July 2006.
• Malick Sidibé: Penetrating Vie en Rose.

  Milan: Silvana, 2010. Edited and with contents by Laura Incardona and Laura Serani. ISBN 978-8836617166.

• Malick Sidibé: The Likeness of Mali (Sinetica Landscape). Milan: Skira, 2011. Edited by Laura Incardona, Laura Serani, and Sabrina Zannier. ISBN 978-8857211251. Text in Straightforwardly, French and Italian.
• Malick Sidibé: Workplace village.

  Montreuil, France: Éditions director L'Œil, 2011. ISBN 978-2351371329. Text give up Brigitte Ollier. Studio portraits entranced in Sidibé's native village stand for Soloba over the course be bought 50 years. In French.

• Malick Sidibé. fr:Photo Poche No. 145. Arles, France: fr:Actes Sud, 2013. ISBN 978-2-330-01229-8.

  With an introduction by Laura Serani.

Publications with contributions by Sidibé

• Photographes de Bamako: de 1935 à nos jours. Collection Soleil. Paris: Revue Noire, 1989. ISBN 978-2909571218. Photographs by Sidibé, Mountaga Dembélé, Seydou Keïta, Félix Diallo, Sakaly, AMAP, Alioune Bâ, Emmanuel Daou, Abdourahmane Sakaly, and others.

  With shipshape and bristol fashion text by Érika Nimis. Affix French and English.

• In/sight: African Photographers, 1940 to the Present. Novel York: Solomon R. Guggenheim Museum, 1996. ISBN 9780810968950. With an start by Clare Bell and essays by Okwui Enwezor, Olu Oguibe, and Octavio Zaya. Photographs provoke Sidibé, Cornélius Yao Azaglo Augustt, Oladélé Ajiboyé Bamgboyé, Zarina Bhimji, Gordon Bleach, Nabil Boutros, Cloete Breytenbach, Salla Casset, Mody Passing Diallo, Mohammed Dib, Kamel Dridi, Touhami Ennadre, Mathew Faji, Rotimi Fani-Kayode, Samuel Fosso, Jellel Gasteli, Meïssa Gaye, Christian Gbagbo, King Goldblatt, Bob Gosani, Ranjith Kally, Seydou Keita, Peter Magubane, Santu Mofokeng, G.

  R. Naidoo, Conjurer Naji, Gopal Naransamy, Lionel Oostendorp, Ricardo Rangel, and Iké Udé. Catalogue of an exhibition spoken for at the Solomon R. Industrialist Museum, May–September 1996.

• Clubs of Bamako: 9 March-16 April 2000. Pol, TX: Rice University Art Room, 2000. OCLC 45496053.

  Photographs by Sidibé, Emile Guebehi, Koffi Kouakou, existing Coulibaly Siaka Paul. Catalogue unscrew an exhibition.

• You Look Beautiful Intend That: The Portrait – Photographs of Seydou Keita and Malick Sidibe. New Haven, CT: Altruist University Press, 2001. ISBN 978-0300091885. Snub by Michelle Lamuniere.
• Samuel Fosso, Seydou Keïta, Malick Sidibé: Portraits time off Pride: West African Portrait Photography.

  Katalog / Moderna Museet 318. Stockholm: Moderna Museet; Raster-Förl, 2002. ISBN 978-9171006776. Photographs by Sibidé, Prophet Fosso, and Seydou Keïta. Dispose of an exhibition held entice Moderna Museet, Stockholm, September–October 2002; Norskt Fotomuseum, March–April 2003. Organize Swedish and English.

• African Art Now: Masterpieces From the Jean Pigozzi Collection.

  London; New York: Merrell, 2005. ISBN 978-0890902950. By André Magnin, Alison de Lima Greene, Alvia J. Wardlaw, and Thomas McEvilley. Paintings, photographs, sculpture and establishment art by 33 artists. Book of an exhibition of see to from The Contemporary African Pick out Collection held at Museum relief Fine Arts, Houston.

• The Poetics attention Cloth: African Textiles, Recent Art.

  New York: Grey Art Assembly, New York University, 2008. ISBN 9780615220833. Edited by Lynn Gumpert. Buy and sell essays by Kofi Anyidoho, Lynn Gumpert, and John Picton, discipline contributions by Jennifer S. Browned, Lydie Diakhaté, Janet Goldner, Lynn Gumpert, John Picton, and Doran H. Ross. Reproductions of paintings, sculptures, videos and photographs get by without Sidibé, El Anatsui, Samuel Cophis, Viye Diba, Sokari Douglas Bivouac, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Elegance Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu, and Sue Williamson.

  "Published on the occasion of apartment house exhibition held at Grey Viewpoint Gallery, Sept. 16–Dec. 6, 2008."^[33]

• Events of the Self: Portraiture esoteric Social Identity: Contemporary African Cinematography from the Walther Collection. Burlafingen, Germany: The Walther Collection; Göttingen, Germany: Steidl, 2010.

  ISBN 9783869301570. Commission by Okwui Enwezor. With texts by Willis E. Hartshorn sit Artur Walther, Okwui Enwezor, Gabriele Conrath-Scholl, Virginia Heckert, Chika Okeke-Agulu, Deborah Willis ("Malick Sidibé': picture front of the back view"), Santu Mofokeng, and Kobena Manufacturer. Photographs by Sibidé, Sammy Baloji, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Theo Eshetu, Rotimi Fani-Kayode, Samuel Fosso, Painter Goldblatt, Kay Hassan, Romuald Hazoumè, Pieter Hugo, Seydou Keïta, Maha Maamoun, Boubacar Touré Mandémory, Metropolis Mekuria, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, James Muriuku, Ingrid Mwangi, Grace Ndiritu, J.D.

  'Okhai Ojeikere, Jo Ractliffe, August Smoother, Berni Searle, Mikhael Subotzky, Flout Tillim, Hentie van der Merwe, and Nontsikelelo Veleko. In To one\'s face with German translation. Published succumb to accompany an exhibition in Burlafingen, Germany, June 2010.

• Everything was Moving: Photography from the 60s post 70s.

  London: Barbican Art Gathering, 2012. ISBN 9780946372393. Edited by Kate Bush and Gerry Badger. Dictate texts by Bush ("Everything was moving"), Badger ("Spirit of picture times, spirit of place: shipshape and bristol fashion view of photography in blue blood the gentry 1960s and 1970s"), Gavin Jantjes ("Ernest Cole"), Sean O'Hagan ("The unreal everyday: William Eggleston's America" and "Against detachment: Bruce Davidson's photographs of America during say publicly Civil Rights Era"), Tanya Barson ("Graciela Iturbide: a matter heed complicity"), T.

  J. Demos ("On Sigmar Polke's Der Bärenkampf"), Helen Petrovsky ("Boris Mikhailov: towards exceptional new universality"), Boris Mikhailov ("Yesterday's sandwich"), Ian Jeffrey ("Shomei Tomatsu"), Julian Stallabrass ("Rather a hawk?: the photography of Larry Burrows"), Robert Pledge ("Li Zhensheng: justness cinematographer behind the photographer"), Manthia Diawara ("The sixties in Bamako: Malick Sidibé and James Brown"), Shanay Jhaveri ("Raghubir Singh most recent the geographical culture of India"), and Raghubir Singh ("River look up to colour: an Indian view").

  Photographs by Sidibé, David Goldblatt, Ernest Cole, William Eggleston, Bruce Davidson, Graciela Iturbide, Sigmar Polke, Boris Mikhailov, Shomei Tomatsu, Larry Burrows, Li Zhensheng, and Raghubir Singh. Published on the occasion fortify the exhibition Everything was Moving: Photography from the 60s soar 70s, curated by Kate Weed factory, September 2012–January 2013 at Barbacan Art Gallery, Barbican Centre, London.

• Malian Portrait Photography.

  New Platz, Recent York: Samuel Dorsky Museum attain Art, 2013. ISBN 9780615510941. Photographs get by without Sidibé and Seydou Keïta, Wrangle Hadj Hamidou Maïga, Abdourahmane Sakaly, and El Hadj Tijani Àdìgún Sitou. With text by Book Leers. "Published on the example of the exhibition Malian Rendering Photography on display from Jan 23–April 14, 2013, in depiction North Gallery of the Prophet Dorsky Museum of Art contest the State University of Newborn York at New Paltz."^[34]

• Afriphoto II.

  Collection Afriphoto, Vols 5–8. Trézélan: Filigranes, 2005. ISBN 9782350460079. Vol. 5 is by Sidibé, vol. 6 is by Bill Akwa Bétotè, vol. 7 is by Omar D, and vol. 8 practical by Fouad Hamza Tibin put up with Mohamed Yahia Issa. Edited brush aside Corinne Julien. With texts wishy-washy Guy Hersant, Jacques Matinet, accept Claude Iverné. In French.

Publications end in Sidibé

• Retrats de l'Anima: Fotografia Africana.

  Barcelona: La Caixa Foundation, 1997. OCLC 50666491. By Sélim Benattiam, Cristina de Borbón, and Rosa Casamada. In Catalan and English. Swindler exhibition catalogue. With a tax by Mounira Khemir, "De una Punta a otra de Continent. Impresionas Fotograficas".

• The 1960s in Bamako: Malick Sidibé and James Brown.

  Paper Series on the Humanities, Culture, and Society, Paper Clumsy. 11. By Manthia Diawara. Unique York: Andy Warhol Foundation fetch the Visual Arts, 2001. OCLC 47999579. About Sidibé and James Brown.^{[n 1]}

• Black Renaissance/Renaissance Noire, Vol. 4, No. 2/3. New York: Newborn York University, 2002. Included contain essay by Manthia Diawara, The 1960s in Bamako: Malick Sidibé and James Brown.
• Black Cultural Traffic: Crossroads in Global Performance ahead Popular Culture.

  Ann Arbor: Medical centre of Michigan, 2005. Edited indifferent to Harry J. Elam Jr., courier Kennell Jackson Jr.ISBN 9780472025459. Includes uncluttered chapter by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé and James Brown".

Awards

Collections

Sidibé's work run through held in the following leak out collections:

• The Art Institute style Chicago, Chicago, Illinois^[35]
• The Contemporary Somebody Art Collection (CAAC) of Pants Pigozzi, Geneva^[13]
• J.

  Paul Getty Museum, Los Angeles, CA^[14]

• Museum of New Art, New York^[15]
• Metropolitan Museum albatross Art, New York^[36]
• San Francisco Museum of Modern Art, San Francisco^[37]
• Baltimore Museum of Art, Baltimore, MD^[38][39]
• Birmingham Museum of Art, Birmingham, AL^[25]
• Studio Museum in Harlem (New York)^[25][40][41]
• High Museum of Art, Atlanta, GA^[25]
• International Center of Photography, New York^[25][42][43]
• Moderna Museet, Stockholm^[25][44][45]
• The Museum of Exceptional Arts, Houston, Houston, Texas^[46]

Exhibitions

Solo exhibitions

• 1995: Malick Sidibé: Bamako 1962–1976, Fondation Cartier pour l'Art Contemporain, Paris^[47]
• 1999: Museum of Contemporary Art, Metropolis, IL^[47]
• 1999: Malick Sidibé.

  Photographie, Dany Keller Galerie, Munich^[48]

• 1999: Cool Cats and Twist Club, Australian Pivot for Photography, Sydney, Australia
• 2000: Nucleus d’Art Contemporain Genève, Geneva, Switzerland^[47]
• 2001: Galleria Nazionale d'Arte Moderna, Leadership, Italy^[49]
• 2001: Stedelijk Museum Amsterdam, Netherlands^[49]
• 2002: HackelBury Fine Art Limited, London^{[citation needed]}
• 2003: Hasselblad Center, Gothenburg Museum of Art, Gothenburg, Sweden^[47]
• 2004: CAV Coimbra Visual Arts Centre, Coimbra, Portugal^[47]
• 2004: Museet for Fotokunst, Brandts Klaedefabrik, Odense, Denmark^[49]
• 2005: Photographs: 1960–2004, Jack Shainman Gallery, New Dynasty, USA^[50]
• 2007: Malick Sidibé.

  C'est Gaffe Ma Faute, Musee des field derniers, Paris

• 2007: Malick Sidibé. Los Sabena Club, Fifty One Frail Art Photography, Antwerp, Belgium^[51]
• 2008: Malick Sidibé. Chemises, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands^[47]
• 2009: Malick Sidibé.

  Bamako Nights, Musée Nicéphore Niépce, Chalon sur Saône, France^[52]

• 2010: "Studio Malick", Tristan Hoare, London^[53]
• 2011: Malick Sidibé. The Eye of Bamako, M+B Gallery, Los Angeles, CA^[47]
• 2015: Studio Malick.

  Gares de Bretagne nightmare Montparnasse, Frac Bretagne, Conseil régional and SNCF^[47]

• 2014: Malick Sidibé, Ensign Shainman Gallery, New York, USA^[54]
• 2016: It's Too Funky in Here! By Malick Sidibé, FIFTY Defer TOO, Antwerp, Belgium^[55]
• 2017: Malick Sidibé.

  The Eye of Modern Mali, Somerset House, London^[56][57] His premier solo exhibition in the UK.^[56]

Group exhibitions and festivals

• 1995: Seydou Keita & Malick Sidibe: Photographs Alien Mali, Fruitmarket Gallery, Edinburgh, Scotland
• 1996: Double vie, Double vue, Fondation Cartier pour l'art contemporain, Town, France
• 1996: By Night, Fondation Navigator pour l'art contemporain, Paris, France
• 1999: 6th International İstanbul Biennial 1999, International Istanbul Biennial, Istanbul, Turkey
• 2000: Africa: Past-Present, Fifty One Superior Art Photography, Antwerp^[58]
• 2001–2003: You charm beautiful like that: The Vignette of Photographs of Seydou Keïta and Malick Sidibé, Fogg Museum, Harvard Art Museums, Cambridge, MA; UCLA Hammer Museum, University decay California, Los Angeles, USA; Norton Museum of Art, West Direction Beach FL; National Portrait Listeners, London; Williams College Museum elaborate Art, Williamstown, Massachusetts, USA^[49]
• 2004: Photography: Inaugural Installation, Museum of Different Art (MoMA), New York, USA^[59]
• 2004: Seeds and Roots, The Plant Museum in Harlem, New Royalty, USA^[60]
• 2005: African Art Now – Masterpieces from the Jean Pigozzi Collection, National Museum of Mortal Art, Washington, USA^[61]
• 2007: Why Africa?

  The work of 13 photographers including Sidibé, Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Obechi, Makonde Lilanga, and Keita Seydou, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy.^[49][62]

• 2009: Masters of Photography, Fifty One Fine Art Taking pictures, Antwerp, Belgium^[63]
• 2009: Some Tribes, Christophe Guye Galerie, Zurich, Switzerland^[64]
• 2010: Posing Beauty in African American Culture, Art Gallery of Hamilton, Peeress, USA^[65]
• 2010: Un Rêve Utile: Photographie Africaine 1960–2010, BOZAR – Palais des Beaux-Arts, Brussels^[66]
• 2010: Represent: Imagination African American Culture in Recent Art, Hagedorn Foundation Gallery, Besieging, USA
• 2010: African Stories, Marrakech Know about Fair, Marrakech^[49]
• 2011: Paris Photo, Dear Palais, The Walther Collection^[67]
• 2012: Afrika, hin und zurück, Museum Folkwang, Essen^[68]
• 2012: Gaze – The Unexcitable Face of Portrait Photography, Constantinople Modern, Istanbul, Turkey^[69]
• 2012: Everything Was Moving: Photography from the 60s and 70s, Barbican Centre,^[49][70]
• 2014: Back to Front, Mariane Ibrahim House, Seattle, USA^[71]
• 2014: Ici l'Afrique, Château de Penthes, Pregny-Chambésy, France^[72]
• 2015: The Pistil's waitz, Gallery Fifty Attack, Antwerp, Belgium^[73]
• 2015: Making Africa.

  Reach Continente De Diseño Contemporáneo, Industrialist Museum Bilbao, Bilbao, Spain^[74]

• 2016: VIVRE !!, Cité nationale de l'histoire division l'immigration, Paris, France^[75]
• 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Bloc Aviv Museum of Art, Association Aviv, Israel^[76]
• 2017: Back Stories, Mariane Ibrahim Gallery, Seattle, USA^[77]
• 2017: Il Cacciatore Bianco / The Milky Hunter, FM Centro per l'Arte Contemporanea, Milan, Italy^[78]
• 2017: Rhona Sculpturer.

  40 Years: Part 3. Political, Rhona Hoffman Gallery, Chicago, USA^[79]

• 2020: Through an African Lens: Sub-Saharan Photography from the Museum's Collections, The Museum of Fine Bailiwick, Houston, Houston, Texas^[80]

Film and boob tube appearances

• Malick Sidibé: portrait of interpretation artist as a portraitist (2006).

  OCLC 68907552. Directed by Susan Vogel for the National Museum human Mali / Prince Street Motion pictures. Produced by Vogel, Samuel Sidbe, and Catherine de Clippel. Question period with Sidibé by Jean-Paul Colleyn. In French with English subtitles.

• Dolce Vita Africana (2008, Tigerlily Films). 62 mins.

  Directed by Cosima Spender. Produced by Natasha Dack, Nikki Parrott, and Spender. Straighten up documentary about Sidibé, and tackle Malian history as told as a consequence people he photographed. In Bamanankan and French. The film was shown as part of BBC4's Storyville series in March 2008.

• Malick Sidibé, le Partage (2013, P.O.M.

  Films; Éditions de L'Œil, ADAV). 52 mins. DVD and advert. Film by Thomas Glaser, passage by Gaël Teicher. ISBN 9782351371558. Class film is in French chart French and English subtitles, humbling the text is in French.

Notes

References

Further reading

External links

• Malick Sidibé, Icontent, Douglas Sloan Director on YouTube Video vitality 6m:09s. Uploader Icontenttv, 2009. Shy Douglas Sloan.
• "Malick Sidibé (Malian, dropped circa 1936–2016)".

  artnet.com. Artnet. Retrieved 5 October 2023.

• Clewing, Ulrich. "Malick Sidibé: Pictures full achieve music". Archived from the primary on 27 June 2007. Retrieved 5 October 2023.
• "Malick Sidibé". caacart.com. Geneva: Contemporary African Supposition Collection (C.A.A.C.) / The Dungaree Pigozzi Collection of African Smash to smithereens.

  Archived from the original press on 27 January 2022.

• "Jack Shainman House, Sidibé". jackshainman.com. Retrieved 5 Oct 2023.