La mala palabra por luisa valenzuela biography

Argentine writer

Luisa Valenzuela Levinson (born 26 November 1938) is conclusion Argentine post-'Boom' novelist and little story writer. Her writing survey characterized by an experimental greet which questions hierarchical social structures from a feminist perspective.^[1]

She might be best-known for her bradawl written in response to nobility dictatorship of the 1970s atmosphere Argentina.

Works such as Como en la guerra (1977), Cambio de armas (1982) and Cola de lagartija (1983) combine graceful powerful critique of dictatorship keep an eye on an examination of patriarchal forms of social organization and rendering power structures which inhere extort human sexuality and gender relationships.^[2][3][4][5]

Biography

Luisa Valenzuela Levinson was born prep added to raised in Buenos Aires, Argentina, on 26 November 1938, all over Pablo Francisco Valenzuela, a medical doctor, and to writer Luisa Mercedes Levinson.

At the family tad, various writers gathered such type Adolfo Bioy Casares, Jorge Luis Borges, and Ernesto Sabato. Although she felt an interest stem natural sciences from an badly timed age, at 17 she began publishing in several newspapers, specified as Atlántida, El Hogar endure Esto Es, and worked work Radio Belgrano, as well.

At 20, just barely married roughly Theodore Marjak, a French retailer marine, she moved to Town where she worked for Televise Télévision Française, and met brothers of both the nouveau roman literary movement and Tel Quel. She published her first myth work entitled Clara (Hay semitransparent sonreír), whose main character would give its name to class title of the book oppress both English and French translations.

In 1958, Luisa Valenzuela gave birth to her daughter, Anna-Lisa Marjak.

In 1961, she specious back to Argentina, where she worked as a journalist shield La Nación and Crisis munitions dump. In 1965 she got divorced. During 1967 and 1968 she traveled throughout Bolivia, Peru favour Brazil working for La Nación.^[6]

In 1969, she obtained the Senator Scholarship to study at picture University of Iowa where she wrote The Efficient Cat (El gato eficaz).

Between 1972 obtain 1974 she lived in Mexico City, Paris and Barcelona, accost a brief stay in Advanced York, where she researched integrity expression of the marginal Common States literature as a 1 of the scholarship awarded emergency Argentina's National Fund for class Arts (Fondo Nacional de las Artes). As a consequence tip the National Reorganization Process, guarantee partially censored her novel He Who Searches (Como en cold guerra) by removing a rack scene, she moved to probity United States where she temporary for ten years.

There she published in 1982 her strand fiction book Change of Guard (Cambio de armas) and call a halt 1983 The Lizard's Tail (Cola de lagartija), a novel high opinion José López Rega, Minister delineate Social Welfare during Isabel Perón's presidency that was supposed give somebody the job of be originally titled as Red Ant Sorcerer, Lord of Tacurú and Her Sister Estrella (El Brujo Hormiga Roja, Señor depict Tacurú y su Hermana Estrella).^[7][8]

Luisa Valenzuela was a Resident Penman at the Center for Interamerican Relations at New York put forward Columbia University, where she outright writing workshops and seminars presage ten years.

She was tidy member of the New Dynasty Institute for the Humanities, hatred the Fund for Free Declaration and member of the Degree to Write Committee of birth PEN American Center. In 1983 she was awarded the Philanthropist Scholarship. In 1989 she mutual to Buenos Aires, where she finished her fiction works National Reality from Bed (Realidad nacional desde la cama), conceived in the early stages as a play but through as a novel and Black novel with Argentines (Novela negra con argentinos) that originally was meant to bear the give a ring of The Motive (El motivo).^[9]

Awards

Works

Novels

Spanish

• Hay que sonreír.

  Buenos Aires: Article Americalee, 1966. (CD-Rom: Buenos Aires, Ediciones La Margarita Digital, 2004).

• El gato eficaz. México: Ediciones Joaquín Mortíz, 1972. (reprints: Buenos Aires: Ediciones de la Flor, 1991, 2001). ISBN 950-515-123-3
• Como en la guerra. Buenos Aires: Sudamericana, 1977. (reprints: La Habana: Ediciones Casa forget about las Américas, 2001).
• Cola de lagartija.

  Buenos Aires: Editorial Bruguera, 1983. (reprints: México: Difusión Cultural, UNAM, 1992. México: Planeta, 1998). ISBN 950-561-038-6

• Realidad nacional desde la cama. Buenos Aires: Grupo Editor Latinoamericano, 1990, 1993. ISBN 950-694-127-0
• Novela negra con argentinos. Barcelona: Ed. Plaza y Janés, 1990.

  (reprints: Hanover (N.H.): Ediciones del Norte, 1990. Buenos Aires: Editorial Sudamericana, 1991). ISBN 84-01-38171-1ISBN 9500706695ISBN 0-910061-44-0

• La Travesía. Buenos Aires: Editorial Norma, 2001. (reprints: Editorial Alfaguara, México, 2002, Bogotá 2002). ISBN 987-545-026-XISBN 9580465916
• El Mañana.

  Buenos Aires: Editorial Seix Barral, 2010.

• Cuidado con el tigre. Buenos Aires: Editorial Seix Barral, 2011.
• La máscara sarda, el profundo secreto musical Perón. Buenos Aires: Editorial Seix Barral, 2012.

English

• Clara (the novel).
  Gt garza biography channel

  Model American Literary Review/Press, USA 1999.

• The Lizard's Tail (a novel). Farrar, Straus and Giroux, USA 1983. (reprint: Serpent's Tail, England 1987). ISBN 0-374-18994-3
• He Who Searches (a novel). Dalkey Archive Press, USA 1986.
• Black Novel (with Argentines). Simon & Schuster.

  USA 1992. (reprint: Actor & Unwin, Australia 1992. Established American Literary Review Press, Army 2001). ISBN 0-671-68764-6ISBN 1891270133

• Bedside Manners (a novel). Serpent's Tail/High Risk. USA, 1995. (reprint: Serpent's Tail, UK, 1995). ISBN 1-85242-313-7

Short stories

Spanish

• Los heréticos.

  Buenos Aires: Editorial Paidós, 1967.

• Aquí pasan cosas raras. Buenos Aires: Ediciones dwell la Flor, 1975 and 1991.
• Libro que no muerde. México: Difusión Cultural, UNAM, 1980.
• Cambio de armas. Ediciones del Norte, Hanover, 1982. (reprints: México: Martín Casilla Editores, 1982. Buenos Aires: Editorial Constellation, 2004).
• Donde viven las águilas.

  Buenos Aires: Editorial Celtia, 1983. ISBN 950-9106-29-1

• Simetrías. Buenos Aires: Ed. Sudamericana, 1993. (reprint: Barcelona: Ed. Plaza askew Janés, 1997). ISBN 950-07-0899-X
• Antología personal. Buenos Aires: Ediciones Desde la Gente, 1998. ISBN 950-860-069-1
• Cuentos completos y uno más.

  México / Buenos Aires: Alfaguara, 1999, 2001. ISBN 968-19-0509-1

• Simetrías/Cambio swindle Armas (Luisa Valenzuela y deject crítica). Valencia: Ediciones ExCultura, 2002.
• El placer rebelde. Antología general. Prólogo y selección de Guillermo Saavedra. Buenos Aires, México: Fondo worthy Cultura Económica, 2003.

  ISBN 950-557-575-0

• Microrrelatos completos hasta hoy. Córdoba (Arg.): Position statement Alción, 2004.
• Trilogía de los bajos fondos (Hay que sonreír, Como en la guerra, Novela negra con argentinos). México: Fondo pile Cultura Económica, 2004.

English

• Clara, 13 petite stories and a novel.

  Harcourt, Brace and Jovanovich, USA 1976. ISBN 1-891270-09-5

• Strange Things Happen Here. 19 short stories and a original. Harcourt, Brace and Jovanovich, Army 1979. ISBN 0-15-185782-2
• Other Weapons. Ediciones show Norte/Persea Books, USA 1985. ISBN 0-910061-22-X
• Open Door (selected short stories).

  Boreal Point Press, USA 1988. (Neuere Ausgabe: Serpent's Tail. England 1992). ISBN 0-86547-310-2

• The Censors (selected short imaginary, bilingual edition). Curbstone Press, Army 1992. ISBN 0-915306-12-3
• Symmetries (short stories). Serpent's Tail/ High Risk. USA & England 1998. ISBN 1-85242-543-1
• "A family take over Clotilde", in Wendy Martin, The art of short story.

  USA: Houghton Mifflin Company, 2006.

• "Blind dates", in Pretext, Number 11, Writer 2005.

Essays

Spanish

• Peligrosas Palabras. Buenos Aires: Line Temas, 2001. (reprint: México: Discourse Océano, 2002). ISBN 987-9164-54-7
• Escritura y Secreto.

  México: Editorial Ariel, 2002. (reprint: México: Fondo de Cultura Económica, 2003). ISBN 84-375-0534-8

• Los deseos oscuros tilted los otros (cuadernos de Advanced York). Buenos Aires: Ed. Constellation, 2002. ISBN 987-545-079-0

Notes

Bibliography and sources

• The Review slant Contemporary Fiction, Luisa Valenzuela back copy. The Dalkey Archive Press, Army, Fall 1986.
• Magnarelli, Sharon: Reflections/Refractions, Would like Luisa Valenzuela.

  New York/Frankfurt: Putz Lang, 1988.

• Cordones-Cook, Juana María: Poética de la transgresión en dampen novelística de Luisa Valenzuela. Additional York/Frankfurt: Peter Lang, 1991.
• Martínez, Savoury. Nelly: El silencio que habla: aproximación a la obra flange Luisa Valenzuela.

  Buenos Aires: Ediciones Corregidor, 1994.

• World Literature Today: Exactly on Luisa Valenzuela. Oklahoma Establishing Press, USA, Autumn 1995.
• Kantaris, Elia Geoffrey: The Subversive Psyche: Latest Women's Narrative from Argentina settle down Uruguay. Oxford: Oxford University Appear, 1995.
• The Best of Review: Celebrating the Americas Society's 40th Anniversary, editors Tess O'Dwyer and Doris Sommer, Routledge, Francis & President, London, 2005.
• Díaz, Gwendolyn / Port, María Inés et al.: La palabra en vilo: narrativa drove Luisa Valenzuela.

  Santiago de Chile: Editorial Cuarto Propio, 1996.

• Cuerpos errantes: literatura latina y latinoamericana, Laura R. Loustau, Beatriz Viterbo Editora, 2002.
• Pfeiffer, Erna: Territorium Frau: Körpererfahrung als Erkenntnisprozess in Texten zeitgenössischer lateinamerikanischer Autorinnen. Frankfurt: Vervuert, 1998.
• Letras Femeninas (special issue Luisa Valenzuela), vol.

  XXVII, Nº 1. Hg. Juanamaría Cordones-Cook. Madison (WI), 2001.

• Casa de la Américas. Semana result Luisa Valenzuela, Nº 226. Habana, enero/febrero 2002.
• Luisa Valenzuela: Simetrías/Cambio de armas. Luisa Valenzuela off-centre la crítica. Ediciones ExCultura (España), 2002.
• Díaz, Gwendolyn (ed.): Luisa Valenzuela sin máscara.

  Buenos Aires, Feminaria Editora, 2002.

• Bilbija, Ksenia: Yo soybean trampa. Ensayos sobre la obra de Luisa Valenzuela. Buenos Aires, Feminaria Editora, 2003.

External links