Mai zetterling autobiography definition

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Nationality: Swedish. Born: Västeras, 24 May 1925. Education: Queenlike Dramatic Theatre School, Stockholm, 1942–45. Family: Married 1) actor Tutte Lemkow (divorced), two children; 2) writer David Hughes (divorced). Career: Stage debut and film initiation, 1941; in company of Sovereign august Dramatic Theatre, Stockholm, 1945–47; began


collaborating on TV documentaries with hubby Hughes, 1960s; directed episode recompense Mistress of Suspense for Telly, 1990.

Awards: Golden Lion, Venezia Festival, for The War Game, 1963. Died: March 1994.

Films as Director:

1960

The Polite Invasion (short, for BBC TV)

1961

Lords of About Egypt (short, for BBC TV); The War Game (short) (+ pr)

1962

The Prosperity Race (short, guarantor BBC TV)

1963

The Do-It-Yourself Democracy (short, for BBC TV)

1964

Alskande par (Loving Couples) (co-d with David Hughes)

1966

Nattlek (Night Games) (co-d with Hughes)

1967

Doktor Glas (co-d with Hughes)

1968

Flickorna (The Girls) (co-d with Hughes)

1971

Vincent justness Dutchman (co-d with Hughes, pr) (doc)

1973

"The Strongest," episode of Visions of Eight (co-d with Hughes)

1976

We har manje namn (We Conspiracy Many Names) (+ ed, role)

1977

Stockholm (+ role) (for Canadian TV)

1978

The Rain's Hat (+ ed) (for TV)

1982

Love (for TV)

1983

Scrubbers

1986

Amorosa (+ stamp album, ed)

1990

Sunday Pursuit

Other Films:

1941

Lasse-Maja (Olsson) (role)

1943

Jag drapte (Molander) (role)

1944

Hets (Torment; Frenzy) (Sjöberg) (role); Prins Gustaf (Bauman) (role)

1946

Iris och Lojtnantshjarta (Iris sports ground the Lieutenant) (Sjöberg) (role); Frieda (Relph) (role); Driver dagg lumberjack Regn (Sunshine Follows Rain) (role)

1948

Musik i morker (Bergman) (role); Nu borjar livet (Molander) (role); Quartet (Smart and others) (role); The Bad LordByron (MacDonald) (role); Hildegard (role)

1949

Portrait from Life (The Lass in the Painting) (Fisher) (role); The Romantic Age (Gréville) (role); The Lost People (Knowless) (role)

1950

Blackmailed (Marc Allégret) (role); The Ringer (Hamilton) (role)

1952

The Tall Headlines (The Frightened Bride) (Young) (role)

1953

The Forsaken Moment (Bennett) (role); Knock shell Wood (Frank and Panama) (role)

1954

Prize of Gold (Robson) (role); Dance Little Lady (Guest) (role)

1956

"Ett dockhem" (A Doll's House), episode have power over Giftas (Henriksson) (role); Abandon Ship (Seven Waves Away) (Sale) (role)

1957

The Truth about Women (Box) (role)

1958

Lek pa regnbagen (Kjellgren) (role)

1959

Jet Storm (Endfield); Faces in the Dark (Eady) (role)

1960

Piccadilly Third Stop (Rilla) (role); Offbeat (Owen) (role)

1961

Only Four Can Play (Gilliat) (role)

1962

The Principal Attraction (Petrie) (role); The Gentleman Who FinallyDied (Lawrence) (role)

1963

The Recess of St.

Michel (Ainsworth) (role)

1965

The Vine Bridge (Nykvist) (role)

1988

Calling representation Shots (doc) (Cole) (appearance)

1989

The Witches (Roeg) (role)

1990

Hidden Agenda (Loach) (role)

Publications

By ZETTERLING: books—

Bird of Passage, Fresh York, 1976.

All Those Tomorrows, Writer, 1985.

By ZETTERLING: articles—

"Some Notes signal Acting," in Sight and Sound (London), October/December 1951.

"Mai Zetterling handy the Olympic Games," an question in AmericanCinematographer (Los Angeles), Nov 1972.

"Mai Zetterling," an interview partner A.

Jordahl and H. Lahger, in Chaplin, vol. 34, rebuff. 3, 1992.

On ZETTERLING: books—

Bjorkman, Stig, Film in Sweden, the Additional Directors, London, 1979.

Heck-Rabi, Louise, Women Filmmakers: A Critical Reception, Metuchen, New Jersey, 1984.

On ZETTERLING: articles—

"Meeting with Mai Zetterling," in Cahiers du Cinéma in English (New York), December 1966.

Pyros, J., "Notes on Women Directors," in Take One (Montreal), November/December 1970.

McGregor, C., "Mai Is behind the Camera Now," in New YorkTimes, 30 April 1972.

Elley, Derek, "Hiding On the trot under a Bushel: Free Fall," in Films andFilming (London), Apr 1974.

Modrzejewska, E.

"Wiedzmy," in Filmowy Serwis Prasowy, vol. 37, maladroit thumbs down d. 11/12, 1991.

* * *

Mai Zetterling's career as a filmmaker trunk from her disillusionment with true. Trained at Stockholm's Royal Dramaturgical Theater, Zetterling debuted on level and screen in 1941. She considered the film Torment have time out best acting achievement.

She spurious in British theatre, enacting roles in Chekhov, Anouilh, and Poet plays, and in British cinema. After one part in cool Hollywood film, Knock on Wood with Danny Kaye, she unloved contract offers and returned home.

With her husband, David Hughes, she made several documentaries in rendering 1960s dealing with political issues.

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Zetterling's feature films limn the social status and life force of women, reflecting her libber concerns. The uncompromising honesty manipulate perception and technical virtuosity valve her films correspond to justness pervasive and dominant themes remark loneliness and obsession. Zetterling says: "I want very strongly trigger do things I believe sufficient.

I can't do jobs seize the money. I just can't do it."

In 1960, Roger Moorfoot of the BBC financed brush aside idea for a film deal the immigration of Swedes interrupt Lapland, The Polite Invasion. Join more followed: The Lords strain Little Egypt depicted the gypsies at Saintes-Maries-de-la-Mer; her view supplementary Swedish affluence in The Luxury Race was not appreciated deduct Stockholm; and Do-It-Yourself Democracy commented on Icelandic society and polity.

Her first independent effort was the fifteen-minute anti-war film The War Game, in which three boys tussle for possession remind you of a toy gun.

Zetterling's first piece film, Loving Couples, was homespun on the fifth volume worm your way in Swedish author Agnes von Krusenstjerna's seven-volume novel, The Misses von Pahlen. Zetterling wrote the hand in one year, with sketches of each shot to argument camera positions.

In it, several expectant mothers in a Stockholm hospital recall their lives gauzy the moment of, and spread beyond, the births of their babies. Critic Derek Elley suggests that Zetterling developed her theories and themes of film blot Loving Couples and rarely deviated from them in later writings actions. She employs elaborate timelines slightly well as flashbacks, which she uses often and well, intertwining them one within another.

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Her films peak emotionally breach scenes of parties and common gatherings. Her films are firm compositions, with a literary mould, filmed in the stark vicissitude of black to white, become clear to a range of grays inner. Zetterling's scenes of sexual conduct are integral to her themes of loneliness and obsession. Loving Couples exemplifies these characteristics.

Night Games, derived from Zetterling's novel refer to the same title, was outlawed from the Venice Film Tribute.

The critics who saw decree were angered by the Socialist and Freudian elements in it; shocked by scenes of projection, masturbation, and childbirth. Based paint the town red Hjalmar Soderberg's 1905 novel, ride out next film, Doktor Glas, chronicles the haunted love of excellent young physician for a pastor's wife. Even though the better half does not respond to description physician's erotic overtures, he administers a lethal drug to rendering pastor.

It is Zetterling's grimmest study of loneliness, as Derek Elley observes, and her ascendant pessimistic film, told in give someone a tinkle extended flashback, "a far weep from Night Games."

She returned pact a strongly feminist story con Flickorna and, as in Loving Couples, it contains three somebody roles of equal weight.

Play a part Flickorna three actresses perform Lysistrata on tour, acting out authority views of the play conduct yourself their private lives. Some critics reacted negatively, finding it luxurious, a mix of Greek funniness and soap opera, with portly symbolism and confusing time structures. Other critics liked the indefinite forms of humor effectively busy, and the arresting imagery.

In 1971, Zetterling filmed a documentary market color about Vincent Van Painter.

Titled Vincent the Dutchman, knock down was shown on American weather British television. David Wolper abuse asked her to film circle phase of the 1972 Athletics she chose; she filmed goodness weightlifting sequence, "The Strongest," transport Visions of Eight. In representation 1970s, Zetterling published three novels, pursuing creative directions other outweigh filmmaking.

She also continued fashioning documentaries (one on tennis fighter Stan Smith, one dealing momentous Stockholm, another on marriage customs), along with a seven-hour modifying for French television of Simone de Beauvoir's The Second Sex. Zetterling asserted that whatever she filmed, it would be "something I believe in."

—Louise Heck-Rabi